Nicki Minaj's "Anaconda" created
controversy before the song or the video came out. Before the lyrics, before
the jungle themes and banana cutting, and Minaj's almost iconic lap
dance with Drake - there was her butt. Similar to the shot heard
around the world, Nicki Minaj's single cover for Anaconda featuring an
in-your-face view of her butt started a long debate for feminists that would
continue to debate on long after even the video would come out. Feminists are
still trying to decide on the age-old question of music videos: Is this
really empowering? A large portion of people are quick to jump to the answer of
no - after all, how can a video of half naked women in a steamy environment,
twerking and grinding, be considered sexually freeing? Is the male gaze truly
not involved in this video, much less this song? Once you get past the (very
much intended) shock of this video to a deeper understanding than what appears
to be at face value (or rather "ass value"?) you'll find that the answers
to these questions are yes. Nicki Minaj's sexual autonomy is raw, socially taboo,
and unapologetically a "F You' to respectability politics especially held
close within feminist groups - so much so that everything about Anaconda makes
this feminist.
Minaj's message started with her
buns proudly on display of her NSFW cover art, and sparked conversation of her respectability
and her body (often tying the two together in one). The criticism was intense
and quick to come - and larger portions of it were coming from "concerned
parents" who were afraid of their younger children viewing the images and
internalizing them. Nicki was called on to think of some old age golden times
when women practiced "respect" for their bodies. Among the leader of
these conversations was a man named Chuck Creekmur who had said, "As a
man, I can appreciate the virtues of your perfect posterior. The dad is not a
happy camper, particularly now that his lil girl is transitioning into a young
lady." It's not hard to pick out a few things wrong here with this
argument, but it's not hard to see his blatant sexualization and repugnance
towards her body. While his concern for his daughter is understandable for Creekmur
to have concern for the impact sexualized imagery may have on his younger
daughter, it's also not Nicki Minaj's job to cover up and keep her image away
from children all for the sake of paternal misogynistic men. There are plenty
of things out in the media for adults' entertainment, and Nicki can be said to
be one of those with her performance persona. And yes, music is everywhere, but
so are rated M TV shows, explicit video games, and movies targeted to adults
that children are shown almost every single day in the media and advertising.
And when children accidentally (or purposefully in the case of some very
curious children) end up seeing images of Nicki Minaj or hear her lyrics, or
even any other sexualized form of media there is nothing for a parent to do in
this culture except for involve their children in some important talks about
their bodies and the bodies they see in the media, how they act, and what that
means for them.
The slut shaming of Minaj's body
also showcased a largely ingrained idea of a curvy black woman falling along a ‘seductress’
trope that is specifically put off to the side for women of color. Shown off as
the "bad girl", Minaj is alluring to men purely for the shape of her
body but also backhandedly shamed for that ability. Even worse yet Minaj's
curves do not go hand in hand with the newfound movement of curves equating for
beauty as white women often get to experience, but rather an exoticification
that is both fetishized and racist. It is important to note that the fetishization
is not only just going along with the racism "hand in hand", but
rather the two are intertwined in a way where the racism Minaj faces is
fetishized and the fetishization she faces is racist.
On the topic of her lyrics, what
better way to get across a message of "I do what I want for myself"
than taking samples of Baby Got Back - the quintessential rap that
showcases the paradigmatic of both race and gender - and add a feminist punch
to it? In the original version Sir Mix-a-Lot is in control of the situation and
his 'anaconda' gets to decide if he wants any or none. Her refers to his
penis as being a predatory animal, and as he so eloquently puts it, "I
just can't help it, I'm acting like an animal", and in the classic lyrics
often repeated "my anaconda don't want none unless you got buns, hun.” He
- the male is in control. And the male makes that very clear through the video
of being surrounded by girls shaking their asses to and for him.
Nicki Minaj manages to do a
complete 360 and instead make the song about the power a big butt can really
have on men instead. Women have the power in their assets (quite literally) to
control men, and the joke is on the men for truly being the real animals for
easily caving in to it. She tears down the hypersexualization of black women's
rears and throws the notion that they belong to men straight out of the window.
"Come through and f*** 'em in
my automobile
Let him eat it with his grills,
He keep telling me to chill
He keep telling me it's real, that
he love my sex appeal
Because he don't like 'em boney, he
want something he can grab
So I pulled up in the Jag,
Mayweather with the jab..."
In the first part of the chorus she
reminds us exactly who is in control of her - her own self. Everything he does
she lets happen, and constantly he's telling her this is "real" and
that she is appreciated for the sex appeal (similar to how men constantly croon
about being in love with some big booty girls but then equate it to love), and
then his realness is shown as being that he just doesn't like skinny girls. The
rest is fairly explanatory (pull up in the car and punch his
big-butt-fetishizing self right where it hurts - his ego).
Within the video the most memorable
moment is seeing the only man as merely a prop in her video. Yes Nicki is
giving him a lap dance, but his hovering hands tell all – Nicki is allowing him
to watch but she is in control and he can not touch her. Even if Drake is
enjoying himself, Nicki is not dancing for his enjoyment. That statement can
even be easily applied as a blanket statement to any male gaze following after
Nicki, Nicki’s sexuality is purely of her own self-rule.